One journalist described it as a chance "to see justice catch up with evil." On November 20, 1945, the twenty-two surviving representatives of the Nazi elite stood before an international military tribunal at the Palace of Justice in Nuremberg, Germany; they were charged with the systematic murder of millions of people. The ensuing trial pitted U.S. chief prosecutor and Supreme Court judge Robert Jackson against Hermann Göring, the former head of the Nazi air force, whom Adolf Hitler had once named to be his successor. Jackson hoped that the trial would make a statement that crimes against humanity would never again go unpunished. Proving the guilt of the defendants, however, was more difficult than Jackson anticipated. This American Experience production draws upon rare archival material and eyewitness accounts to recreate the dramatic tribunal that defines trial procedure for state criminals to this day.

Each of the twelve 50-minute episodes features a different aspect of the journey through life, from birth to adulthood and continuation of the species through reproduction.

Dramatization of the famous 1971 trial in which the editors of the British underground magazine "Oz" were charged with obscenity.

The Power Trials Project is a superhero-themed web series and trans-media project about the difficulties of balancing a “hero“ life with a human one. The series focuses on a group of heroes who work for the Hero Undertaking Bureau where the heroes give us a glimpse into the lives they lead when they are back at the office, off the battlefield. At the H.U.B, the heroes are divided into two branches: the Supers and the Gadgets. The rivalry between the two branches intensifies as the heroes work with (and sometimes against) each other to save the day, every day.

Reproduction of the Nuremberg trials using transcripts, made for Polish TV.

Said to pick up where "Triumph of the Will" left off, this film showcases highlights of the Nazi Party rallies in Nüremberg in 1936 and 1937. The main focus of the film begins with extended footage of the Gothic splendor of Nüremberg from the air, Hitler's arrival at the airbase, his motorcade into the city, and the ensuing ceremonies. Other, much more propagandistic elements, are edited in; they include: past Nazi party marches and rallies, parachute drops, Wehrmacht exercises in the Zeppelin fields, random military formation night rallies and random shots of massed crowds, fireworks, torch lit marches, even live explosions.

At the end of 1945, the Nuremberg trials against Göring, Hess, von Ribbentrop and other Nazi officials began. The young Jewish reporter Ernst Michel and the witness Seweryna Szmaglewska, both concentration camp survivors, struggle not only with their deep traumas, but also with some uncomfortable insights that the trial brought to light. Carsten Gutschmidt's thoughtful docudrama sensitively interweaves dramatised scenes, flashbacks, colourised original footage and new material in which witnesses and descendants visit the original locations and comment on the action.

Two apprentice violin makers are in love with the same girl, who happens to be the daughter of their mentor. A violin competition is scheduled, with the winner being the one who will marry the girl.

Two documentary filmmakers and an ex-cop investigate the disappearance of a young girl that is rumored to have been abducted by a witch in the haunted woods of Connecticut.

In 1983, fifteen Cape Breton, Nova Scotia, landowners went to court to stop the spraying of herbicides by the local subsidiary of a Swedish multinational on forests adjacent to their properties. They found that the testimony of scientists and the support of public opinion, both here and abroad, were not enough to win their case. The film shows their ordeal and the landmark Sydney trial. Concerns raised included potential conflict-of-interest situations where a government must protect citizens' health while supporting certain kinds of industry; the relative value of the political and judicial processes in mediating social problems; and the need for a public forum for debating environmental issues. The film contains outstanding footage from chemical-industry films of the 1950s and recent material about Vietnam veterans affected by Agent Orange.